Why Reuse? · Essay one of three

A brief history of plastic.

To understand our current problem, we must go back in history to understand its origin.

I
Act One — 1839 to 1907

Accidents and necessity are the mother of invention.

It starts in 1839, when Charles Goodyear accidentally discovered the vulcanization of rubber by adding sulphur and heat. The result was a far more durable material — and it sparked the production of semi-synthetic goods made by modifying natural materials to make them more practical. The word plastic itself comes from the Greek plastikos, meaning capable of being shaped or molded.

Alexander Parkes, an English metallurgist and inventor, developed the first synthetic plastic, which he named Parkesine, in 1855. It was made from cellulose, was hard and transparent, and could be molded when heated. It was introduced in 1862 at the Great International Exhibition in London. It was initially used in a variety of applications, primarily as a replacement for animal products such as ivory, tortoiseshell, and horn — in the production of combs, buttons, and other small personal items, as well as a waterproof coating for fabrics. It was a brittle material, and susceptible to cracking and yellowing over time. It was overall a commercial failure, but it did lay the foundation for everything that followed.

In 1869, the New York firm Phelan and Collander offered a $10,000 prize to anyone who could find a substitute for ivory. The booming pastime of billiards was decimating elephant populations because of the demand for their ivory tusks. John Wesley Hyatt rose to the challenge and invented Celluloid. It was also made from cellulose, by treating cotton fiber with camphor. It was transparent, flexible, and moldable when heated. It found acceptance in making the same sort of products that Parkesine did. It was the first plastic to find broad commercial use. It became the foundation of the motion-picture industry, as it was also used as the first type of film used in the late 1800s and early 1900s.

Plates I.i – I.ii Artifacts of the celluloid era
Plate I.i
Assortment of celluloid consumer goods including a doll, a toy elephant, decorative combs, a folding fan, a hand mirror and brush, beads, buttons, and billiard balls
Late 19th – early 20th century · Cellulose nitrate
A consumer life rendered in celluloid.
Hyatt’s celluloid was created to replace ivory — first in billiard balls, sparing the elephants the booming sport was consuming, then in the combs, fans, beads, and trinkets seen here. For the first time, ordinary households held everyday objects made from a material chemistry had invented.
Plate I.ii
Reels of celluloid motion picture film
c. 1895 onward · Cellulose nitrate
Motion picture film stock.
Celluloid’s defining industrial application. Flexible, transparent, and capable of carrying a photographic emulsion — the material that made cinema possible.
II
Act Two — 1907 to 1945

The material century.

In 1907, Leo Hendrik Baekeland invented Bakelite, the first true synthetic plastic. He was also the first to refer to his material as "plastic." It was made by polymerizing two molecules not found in nature, phenol and formaldehyde, and it could be molded into many shapes. It was superior to celluloid as it was heat-resistant, more durable, and was an electrical insulator. As such, it was used as an electrical insulator, for automotive parts, and all types of consumer goods.

Bakelite was a major breakthrough, and it (along with Catalin, a similar substance) paved the way for the development of modern plastics. Throughout the early-to-mid 20th century, new plastics arrived in close succession. Each was engineered for a specific job. Cellophane wrapped fresh foods. Acrylic replaced glass where lightness mattered. Polyethylene — one of the most produced plastics in the world today — became the workhorse of containers, films, and packaging.

During World War II, plastics played a crucial role in various military applications. They were used in aircraft parts, parachutes, helmets, windscreens, and other military equipment. The demand for plastics increased greatly during this period, leading to further research and advances in plastic technologies. By 1945, US plastic production had more than tripled from pre-war levels. The factories that built that capacity didn't disappear after the war — they just needed new markets. The necessary shift occurred from military applications to consumer products, as well as products for industry and construction. Plastics began to be used in a wide range of consumer goods — toys, appliances, packaging.

A century of new materials

Plastics arrive, one after another.

1907

Bakelite

1912

Cellophane

1920s

Acrylic

1926

PVC

1930s

Polyethylene

1933

Polystyrene

1935

Nylon

1938

Teflon

1941

Polyester

1948

ABS

Plates II.i – II.iii The synthetic age, made domestic
Plate II.i
Art Deco-era Bakelite radio in deep red beside a black rotary telephone
c. 1930s · Bakelite (phenol-formaldehyde)
A radio cabinet, molded from Bakelite.
The first material made entirely from molecules not found in nature, and the first to be called "plastic" by its inventor. Heat-resistant, durable, and an electrical insulator — it became the housing of modern domestic technology.
Plate II.ii
Colorful Bakelite and Catalin objects: carved bangles, a mantel clock, poker chips, a box, and a hand mirror
1930s – 1940s · Bakelite
Bracelets as the new century's jewel.
The same chemistry that lit American living rooms went onto American wrists. Bakelite jewelry defined a decade of color, optimism, and a sense that the modern world could simply be molded.
Plate II.iii
Postwar pastel plasticware: melamine dinnerware, storage containers, a toy car, and nylon shirts
c. 1946 – 1955 · Polystyrene, melamine, polyethylene, nylon
The synthetic home, in pastel.
Plastic moved from the radio cabinet into the whole household — dinnerware, storage tubs, a child's toy, even shirts. Sold on color and durability and built to last, these postwar goods are the calm before the cultural pivot that would come next.
III
Act Three — 1945 to 1963

The cultural pivot.

Initially, in the late 1940s and early 1950s, plastic consumer products were sold on their design and durability. The Great Depression of the 1930s had forced the populace to be frugal, and these early products reflected that taste. Dow's Styron and Monsanto's Lustrex Styrene were sold with claims of "new color, beauty, and serviceability," as well as "cheerful, convenient and practical." These products were easy to clean, durable, and built to last.

An iconic and dubious article appeared in the August 1, 1955 issue of Life Magazine, entitled "Throwaway Living." It featured the stereotypical "nuclear family" tossing single-use items into the air in a celebratory fashion.

The 1950s were a time of significant economic growth in the US — rising incomes, a booming manufacturing sector, technological advances, the shift to suburban life, and the rise of consumer culture. Convenience and efficiency dominated post-war values. The article itself pointed approvingly to the futility of spending 40 hours cleaning the items in the photo, when one could simply throw them away and spend that time on leisure instead.

Another dubious moment in the history of the plastic pollution crisis was the Society of the Plastic Industry's conference in New York in 1956. At that meeting, the editor of Modern Plastics, Lloyd Stouffer, declared that "the future of plastics is in the trash can." Think about that. In order for plastics manufacturers to ensure a continuous demand for their products, they needed to encourage customers to discard their products.

The disposable, single-use culture was born.

Seven years later, Stouffer spoke at the conference again in Chicago:

"It is a measure of your progress in packaging in the last seven years that this remark will no longer raise any eyebrows. You are filling the trash cans, the rubbish dumps and the incinerators with literally billions of plastic bottles, plastic jugs, plastic tubes. The happy day has arrived when nobody any longer considers the plastics package too good to throw away."

Plate III.i The image that named an era
Plate III.i
1950s family tossing disposable plates and cups into the air over a wire trash can
August 1, 1955 · Life Magazine
"Throwaway Living."
Peter Stackpole's photograph, staged for Life Magazine, presented the disposable lifestyle as celebration. The caption boasted that the items in the air would have taken forty hours of housework to clean — and that throwing them away instead was progress. The single-use age had its founding image.
IV
Act Four — and yet, here we are

Disposability has a back end.

The story doesn't end with invention. Today we're living the consequences — and watching them compound.